https://www.youtube.com/watch?v=5sJ3hhtRV1I In 1922 the Romanian-born sculptor Constantin Bracusi made a special dance costume for Lizica Codreanu, played a vinyl recording of Erik Satie’s Gymnopedies and invited the dancer to do a one-off performance in his studio, among sculptures. Using a rack-and-pinion Thornton Pickard camera, Brancusi captured the performance in seven photographs. The National Dance Center in Bucharest has staged, two years ago, an event focusing on the choreographer and dancer Lizica Codreanu. The meeting was part of the National Dance Center’s Hors les Murs (Outside the Walls) program, launched in 2014, through which the Center seeks to go beyond the walls of its own building and approach topics off the beaten track. The event brought together director Cornel Mihalache, researcher Doina Lemny and choreographer Vava Stefanescu, in a talk moderated…
https://www.youtube.com/watch?v=HZvYcroWl94 Art critic Alastair Sooke and Christie’s specialist Anika Guntrum look at the first in Brancusi’s series of ovoid sculptures — works which came to define his sublime and inimitable visual poetry — offered in New York on 15 May. read more
Um eine Vorstellung davon zu bekommen, wie gut die Arbeit von Constantin Brâncuşi und seine Verbindungen zu Rumänien unter Künstlern und Menschen bekannt sind, die auf dem Gebiet der Kultur in Europa tätig sind (vor allem in den Ländern, in denen wir in diese Tournee unternehmen: Serbien, Ungarn und Österreich), möchten wir Sie bitten, an dieser kurzen Meinungsumfrage teilzunehmen: [captainform id="814579"]
In order to have an idea about how well Constantin Brâncuși's work and his connections with Romania are known by artists and people working in the field of culture in Europe (and especially the countries where we perform in this tour: Serbia, Hungary and Austria), we would like to ask you to take part in this short opinion poll: [captainform id="814579"]
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